Terms and conditions
ML in PL: AI Art Competition 2024
Rules of The AI ART COMPETITION as part of the ML in PL AI Art Festival 2024 (hereinafter, the “Rules of the AI ART Competition”)
§ 1. ENTITIES INVOLVED IN THE ORGANIZATION OF THE COMPETITION.
§ 2. THE PURPOSE AND SCOPE OF THE AI ART COMPETITION.
§ 3. THE PROJECT.
§ 4. THE COMPETITION REGISTRATION.
These 3 elements of documentation should be provided as a shareable Google Drive link accessible to the Organizer.
§ 5. CONDITIONS FOR TAKING PART IN THE CALL FOR CONTRIBUTION.
§ 6. JUDGING CRITERIA.
The Projects submitted to the Call for Contribution will be evaluated by the Jury consisting of curators, art critics and AI researchers, compromising:
a) two persons selected by ML in PL
b) one person selected by Academy of Fine Arts in Warsaw (“the ASP”)
c) one person selected by Museum of Modern Art in Warsaw (“the Museum”)
d) one person selected by Ideas NCBR (“the Ideas”)
(the “Jury”).
§ 7. CONDITIONS FOR TAKING PART IN THE EXHIBITION.
§ 8. THE EXHIBITION RESULTS ANNOUNCEMENT AND AWARDS.
The following prizes are awarded in the Exhibition:
a) Festival Prizes including:
1) the First Place Prize of amount of 5000 PLN
2) the Second Place Prize of amount of 3000 PLN
3) the Third Place Prize of amount of 1000 PLN
(the “Festival Prize”)
b) Students’ Prize of amount of 1000 PLN (the “Students’ Prize”)
(altogether the “the Prizes”)
The Festival Prize will be awarded by a jury consisting of five members:
a) 2 representatives of ML in PL*
b) 1 representative of ASP*
c) 1 representative of MSN*
d) 1 representative of Ideas NCBR*
(the “Exhibition Jury”)
§ 9. SCHEDULE.
§ 10. COMPLAINTS.
§ 11. PERSONAL DATA.
§ 12. INTELLECTUAL PROPERTY RIGHTS TO SUBMITTED WORKS.
With the confirmation of the Finalist’s participation in the Exhibition, the Finalist grants ML in PL the license (the “License”) to use the Project until the end of the Competition in all known fields of exploitation, especially:
a) in terms of recording and multiplication of the Project - production of copies by any technique, including printing, reprography, magnetic recording and digital technique, as well as in multimedia networks, including the Internet, on any data carriers;
b) dissemination of the Project - public exhibition, display, and making the work available to the public in such a way that everyone can have access to it at a place and time of their own choosing, including in telecommunications and computer networks or in connection with the provision of telecommunications services, including - with the use of interactive services for this purpose;
c) transfer or transmission of the records of the Project, including the copies produced by any technique, between computers, servers and users (beneficiaries), other recipients, by any means and techniques; without any time and territorial restrictions
§ 13. ORGANIZER’S LIABILITY
§ 14. FINAL PROVISIONS.